Philly-based freelance writer covering art, music, and culture.

Recent work

Marley Edelman and Eva Kozlowski Art Show at Launderette Records

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Waitin’ On the Fourth of July: Thoughts on the National Holiday Through a Literary Lens

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Samara Joy: Making Jazz Cool for a New Generation

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The Beths on Crafting a New LP in the COVID-Changed Musical Landscape

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Love You Later On Navigating Tik Tok and Creating a Visual Sound

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Mia Asano Makes the Violin Cool (Again)

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Show Review of HAIM at Madison Square Garden

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The Linda Lindas On Finding Their Way Through Creative Freedom

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Spaceface On Making the Jump From Flaming Lips Roadies to National Headliners

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Album Review: Wu-Tang Clan’s Enter the Wu-Tang (36 Chambers)

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Jacksonport’s "California Gold” Explores an Elusive Golden-State Dream

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Top Ten Albums of 2021

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Top Indie Songs of 2021

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Sunny War: Punk-Folk Guitarist on Optimism and Survival

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Lou Barlow and the Quest for Change Amidst Chaos

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Album Review: St. Vincent’s Daddy’s Home

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Alyson McNamara’s “Waiting”: To Want and Not Have

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Album Review: Belle and Sebastian’s The Life Pursuit

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Album Review: Squid’s Bright Green Field

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Erin Ash Sullivan’s “Take It From There” is a Warm-Hearted Reassurance

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Luna Li’s “Cherry Pit”

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Shae Tull on “Bedsit,” Personal Influences, and Advice

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Album Review: Steely Dan’s Gaucho

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Groove Is in the Heart: For California Duo Brijean, Feelings Are Best Sorted Out On The Dance Floor

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Album Review: Tune-Yards’ Sketchy

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Album Review: Lana Del Rey’s Chemtrails Over The Country Club

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Album Review: Haim’s Women in Music Pt. III

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Album Review: The Rolling Stones’ Let It Bleed

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Bill The Pony’s “Lilacs That Morning”

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Album Review: Django Django’s Glowing in the Dark

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Album Review: Haim’s Days Are Gone

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Album Review: Foo Fighters’ Medicine at Midnight

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Album Review: Arlo Parks’ Collapsed in Sunbeams

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Winter Beach’s “When You’re Ready”: Home Is Where the Heartache Is

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Oscar Lang Harnesses the Power of Solitude on New LP

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The Stress of an Active Mind: “Overthinking” by Rikas

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Top Indie Songs of 2020

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“Mint” by Glom: Tackling Personal Disappointment

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GoodLuck’s “Back in the Day”: Wistful, Breezy Nostalgia

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Melissa Erin on “Settle on Down”, Her Influences, and a Hectic Year

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Retrospective Review: The Sugarcubes’ “Birthday”

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“Green Tea” by Winter Beach: An Unexpected Memento Mori

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“Abattoir” by The Ninth Wave: Things Fall Apart

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It’s Not Easy Being Urban: Malady’s “London, I Love You But You’re Bringing Me Down”

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“Maggie” by Cedar Sparks: A Ghost Story

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Greta Morgan and the Art of Acceptance: “When the Sun Comes Up”

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The Besnard Lakes’ Latest Philosophical Dive: “Raindrops”

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Vita and The Woolf’s “Anna Ohio”

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